{"id":1242,"date":"2018-04-27T19:57:38","date_gmt":"2018-04-27T16:57:38","guid":{"rendered":"http:\/\/www.bisartgallery.art\/?p=1242"},"modified":"2025-11-18T16:29:19","modified_gmt":"2025-11-18T13:29:19","slug":"otkrytie-vystavki-komnatyrooms-25-aprelya-v-cdx","status":"publish","type":"post","link":"http:\/\/www.bisartgallery.art\/en\/otkrytie-vystavki-komnatyrooms-25-aprelya-v-cdx\/","title":{"rendered":"April 25 opening of the exhibition “\u041a\u043e\u043c\u043d\u0430\u0442\u044b\/Rooms” in the Central House of Artists"},"content":{"rendered":"

April 25<\/strong> was opened the scandalous and provocative exhibition “\u041a\u043e\u043c\u043d\u0430\u0442\u044b\/Rooms”<\/strong>. \u201cRooms\u201d are three levels of knowledge of a woman. It is an attempt to penetrate into its essence and collect the most complete image of her corporeality. The exhibition space will be divided into three zones, access to each indicating a degree of affinity with the woman. Each zone will be marked by a certain genre of painting or an artist. The viewer will have the opportunity to move from one space to another and experience the specter of emotions, from the first meeting in the hallway to the complete spiritual exposure in the bedroom. For the first time in Russia were presented the works of the founder of the transcendental painting of Romanos which impressed absolutely all the guests of the vernissage. The energy of the artist who was present at the event filled the entire space of the huge hall with a beautiful view on Moscow! The guests of the exhibition also had a unique opportunity to “hear” Nodar Khokhobashvili’s paintings and admire the works from the private collection of Sergei Gryzunov.
\nThis significant event in the cultural life of Moscow began the first stage of the international exhibition “\u041a\u043e\u043c\u043d\u0430\u0442\u044b\/Rooms”. In Russia, the exposition will stay only a few days, until April 29<\/strong>, after which it will visit twenty cultural centers of the world! Have time to touch a unique event and become a part of such a symbolic event in the art world!<\/p>\n

\"\"<\/p>\n

April 25<\/strong> was opened the scandalous and provocative exhibition “\u041a\u043e\u043c\u043d\u0430\u0442\u044b\/Rooms”<\/strong>. \u201cRooms\u201d are three levels of knowledge of a woman. It is an attempt to penetrate into its essence and collect the most complete image of her corporeality. The exhibition space will be divided into three zones, access to each indicating a degree of affinity with the woman. Each zone will be marked by a certain genre of painting or an artist. The viewer will have the opportunity to move from one space to another and experience the specter of emotions, from the first meeting in the hallway to the complete spiritual exposure in the bedroom. For the first time in Russia were presented the works of the founder of the transcendental painting of Romanos which impressed absolutely all the guests of the vernissage. The energy of the artist who was present at the event filled the entire space of the huge hall with a beautiful view on Moscow! The guests of the exhibition also had a unique opportunity to “hear” Nodar Khokhobashvili’s paintings and admire the works from the private collection of Sergei Gryzunov.
\nThis significant event in the cultural life of Moscow began the first stage of the international exhibition “\u041a\u043e\u043c\u043d\u0430\u0442\u044b\/Rooms”. In Russia, the exposition will stay only a few days, until April 29<\/strong>, after which it will visit twenty cultural centers of the world! Have time to touch a unique event and become a part of such a symbolic event in the art world!<\/p>\n

\"\"<\/p>\n

<\/p>\n

 <\/p>\n

\n

\u0421\u043f\u0435\u0446\u0438\u0430\u043b\u044c\u043d\u043e \u0434\u043b\u044f \u0432\u044b\u0441\u0442\u0430\u0432\u043a\u0438 \u041a\u041e\u041c\u041d\u0410\u0422\u042b\/ROOMS<\/strong> \u0431\u044b\u043b \u0440\u0430\u0437\u0440\u0430\u0431\u043e\u0442\u0430\u043d \u0430\u0443\u0434\u0438\u043e \u043a\u043e\u043d\u0442\u0435\u043d\u0442, \u043f\u043e\u0437\u0432\u043e\u043b\u044f\u044e\u0449\u0438\u0439 \u043f\u0440\u043e\u0441\u043b\u0443\u0448\u0430\u0442\u044c \u043f\u0435\u0440\u0435\u0432\u043e\u0434 \u0441\u0442\u0438\u0445\u043e\u0432, \u043d\u0430\u043d\u0435\u0441\u0435\u043d\u043d\u044b\u0445 \u043d\u0430 \u043f\u043e\u043b\u043e\u0442\u043d\u0430 \u041d\u043e\u0434\u0430\u0440\u0430 \u0425\u043e\u0445\u043e\u0431\u0430\u0448\u0432\u0438\u043b\u0438<\/strong>.<\/p>\n<\/div>\n

\u0417\u0430\u043f\u0438\u0441\u044c \u0440\u0435\u0430\u043b\u0438\u0437\u043e\u0432\u0430\u043d\u0430 \u0431\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u042f\u043d\u0435 \u041a\u0440\u0430\u043f\u0438\u0432\u0435 \u0438 QAPSULA Records.<\/p>\n

Paul-Marie Verlaine<\/strong>
\n(1844 \u2013 1896)<\/h2>\n

\"\"<\/p>\n

Je dis royale, je devrais dire divine:
\nCes fesses, chair sublime, alme peau, pulpe fine,
\nGalbe puissamment pur, blanc, riche, aux stries d\u2019azur,
\nCette raie au parfum bandatif, rose obscur,
\nLente, grasse, et le puits d\u2019amour, que dire sur!<\/p>\n

\u041d\u0435 \u043a\u043e\u0440\u043e\u043b\u0435\u0432\u0441\u043a\u0443\u044e, \u0431\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0443\u044e \u0441\u0443\u0442\u044c \u044f \u0432\u0438\u0436\u0443 \u0432 \u044d\u0442\u043e\u0439 \u043f\u043b\u043e\u0442\u0438 \u0434\u0438\u0432\u043d\u043e-\u043d\u0435\u0436\u043d\u043e\u0439,
\n\u041b\u043e\u0441\u043d\u044f\u0449\u0430\u044f\u0441\u044f \u043c\u044f\u0433\u043a\u043e\u0441\u0442\u044c, \u0447\u0435\u0442\u043a\u043e\u0441\u0442\u044c \u043b\u0438\u043d\u0438\u0439, \u043b\u0430\u0437\u0443\u0440\u043d\u044b\u0435 \u043f\u0440\u043e\u0436\u0438\u043b\u043a\u0438 \u0432 \u0431\u0435\u043b\u0438\u0437\u043d\u0435,
\n\u0418 \u044d\u0442\u0430 \u0441\u043a\u043b\u0430\u0434\u043a\u0430 \u2014 \u0442\u0435\u043c\u043d\u043e\u0439 \u0440\u043e\u0437\u044b \u0446\u0432\u0435\u0442, \u0447\u0435\u0439 \u0430\u0440\u043e\u043c\u0430\u0442 \u0441\u0442\u043e\u043b\u044c \u0441\u043b\u0430\u0434\u043e\u043a \u0438 \u043c\u044f\u0442\u0435\u0436\u0435\u043d,
\n\u0418 \u0442\u043e\u043c\u043d\u043e\u0441\u0442\u044c \u0436\u0430\u0440\u043a\u0430\u044f \u0432\u043e \u0432\u043b\u0430\u0436\u043d\u043e\u0439 \u0433\u043b\u0443\u0431\u0438\u043d\u0435\u2026
\n\u0418 \u043d\u0435\u0447\u0435\u0433\u043e \u0434\u043e\u0431\u0430\u0432\u0438\u0442\u044c \u0431\u043e\u043b\u044c\u0448\u0435 \u043c\u043d\u0435.<\/p>\n

 <\/p>\n

Track 1<\/a><\/p>\n

\n

\"\"<\/p>\n

Et ces fesses encor, telle une lune en deux
\nQuartiers, myst\u00e9rieuse et joyeuse, ou je veux
\nDor\u00e9navant nicher mes r\u00eaves de po\u00e8te
\nEt mon coeur de tendeur et mes r\u00eaves d\u2019esth\u00e8te!<\/p>\n

\u0412 \u0442\u0435\u043b\u0435\u0441\u043d\u043e\u0441\u0442\u0438 \u0435\u0451 \u043d\u0435\u043f\u043e\u043b\u043d\u044b\u0445 \u043b\u0443\u043d,
\n\u0412 \u043e\u043a\u0440\u0435\u0441\u0442\u043d\u043e\u0441\u0442\u044c \u0438\u0445 \u2014 \u0442\u0430\u0438\u043d\u0441\u0442\u0432\u0435\u043d\u043d\u0443\u044e \u043f\u0440\u0430\u0437\u0434\u043d\u043e\u0441\u0442\u044c
\n\u042f \u0441\u043a\u0440\u043e\u044e \u043f\u043e\u044d\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u044c \u0434\u0435\u0440\u0437\u043a\u0438\u0445 \u0434\u0443\u043c
\n\u0418 \u0442\u0440\u0435\u043f\u0435\u0442 \u0441\u0435\u0440\u0434\u0446\u0430 \u0432 \u043a\u0440\u0443\u0436\u0435\u0432\u0435 \u0444\u0430\u043d\u0442\u0430\u0437\u0438\u0439.<\/p>\n

Track 2<\/a><\/p>\n

\n

\"\"<\/strong><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Et vos seins, double mont d\u2019orgueil et de luxure
\nEntre quels mon orgueil viril parfois se guinde
\nPour s\u2019y gonfler \u00e0 l\u2019aise et s\u2019y frotter la hure :
\nTel un sanglier \u00e8s vaux du Parnasse et du Pinde.<\/p>\n

\u0413\u0440\u0443\u0434\u044c \u0432\u0430\u0448\u0430 \u2014 \u0433\u043e\u0440\u0434\u043e\u0439 \u043f\u043e\u0445\u043e\u0442\u0438 \u0434\u0432\u0430 \u0441\u043a\u043b\u043e\u043d\u0430.
\n\u041c\u0435\u0436 \u043d\u0438\u0445 \u0434\u043b\u044f \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0430 \u043c\u0443\u0436\u0441\u043a\u043e\u0433\u043e \u043f\u043b\u0435\u043d \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u044b\u0439,
\n\u0418 \u0442\u0430\u043c \u043e\u043d\u043e \u0432 \u043c\u0435\u0442\u0430\u043d\u044c\u044f\u0445 \u0441\u043b\u0430\u0434\u043e\u0441\u0442\u0440\u0430\u0441\u0442\u043d\u044b\u0445,
\n\u041a\u0430\u043a \u0434\u0438\u043a\u0438\u0439 \u0432\u0435\u043f\u0440\u044c \u043c\u0435\u0436 \u041f\u0438\u043d\u0434\u043e\u043c \u0438 \u041f\u0430\u0440\u043d\u0430\u0441\u043e\u043c.<\/p>\n

* Che vergogna! \u2014 \u041a\u0430\u043a\u043e\u0439 \u043f\u043e\u0437\u043e\u0440!<\/p>\n

Track 3-4<\/a><\/p>\n

\n

\"\"<\/p>\n

 <\/p>\n

Vos bras, j\u2019adore aussi vos bras si beaux, si blancs,
\nTendres et durs, dodus, nerveux quand faut et beaux
\nEt blancs comme vos culs et presque aussi troublants,
\nChauds dans l\u2019amour, apr\u00e8s frais comme des tombeaux<\/p>\n

 <\/p>\n

\"\"<\/p>\n

\u041f\u0440\u0435\u0434 \u043a\u0440\u0430\u0441\u043e\u0442\u043e\u0439 \u0438 \u0431\u0435\u043b\u0438\u0437\u043d\u043e\u044e \u0432\u0430\u0448\u0438\u0445 \u0440\u0443\u043a \u044f \u043f\u0440\u0435\u043a\u043b\u043e\u043d\u044f\u044e\u0441\u044c \u0435\u0436\u0435\u0447\u0430\u0441\u043d\u043e,
\n\u0422\u043e \u043d\u0435\u0440\u0432\u043d\u0430\u044f \u0441\u0443\u0440\u043e\u0432\u043e\u0441\u0442\u044c \u043e\u0442\u0432\u0435\u0440\u0433\u0430\u0435\u0442, \u0442\u043e \u043d\u0435\u0436\u043d\u043e\u0441\u0442\u044c\u044e \u043c\u0430\u043d\u0438\u0442 \u0438\u0445 \u043f\u043e\u043b\u043d\u043e\u0442\u0430,
\n\u041e\u043d\u0438 \u043a\u0430\u043a \u0432\u0430\u0448\u0430 \u043f\u043e\u043f\u043a\u0430, \u0447\u0442\u043e \u0432 \u043d\u0435\u0432\u0438\u043d\u043d\u043e\u0441\u0442\u0438 \u0441\u0432\u043e\u0435\u0439 \u0441\u043c\u0443\u0449\u0430\u044e\u0449\u0435 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u0430,
\n\u0412 \u043b\u044e\u0431\u0432\u0438 \u043a\u0430\u043a \u043f\u043b\u0430\u043c\u044f \u0436\u0430\u0440\u043e\u043c \u043e\u043f\u0430\u043b\u044f\u044e\u0442, \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u044b \u043f\u043e\u0441\u043b\u0435 \u043a\u0430\u043a \u043c\u043e\u0433\u0438\u043b\u044c\u043d\u0430\u044f \u043f\u043b\u0438\u0442\u0430.<\/p>\n

* Le gioie dell amore \u2014 \u0420\u0430\u0434\u043e\u0441\u0442\u044c \u043b\u044e\u0431\u0432\u0438<\/p>\n

 <\/p>\n

Track 5-6<\/a><\/p>\n

\n

\"\"<\/p>\n

Et les mains au bout de ces bras, que je les gobe!
\nLa caresse et la paresse les ont b\u00e9nies,
\nRameneuses du gland transi qui se d\u00e9robe,
\nBranleuses aux sollicitudes infinies?<\/p>\n

\u041b\u0430\u0434\u043e\u043d\u0438 \u044d\u0442\u0438\u0445 \u0440\u0443\u043a \u044f \u043f\u043e\u0433\u043b\u043e\u0442\u0438\u043b \u0431\u044b \u0436\u0430\u0434\u043d\u043e,
\n\u041b\u0435\u043d\u0438\u0432\u043e\u0439 \u043d\u0435\u0436\u043d\u043e\u0441\u0442\u044c\u044e \u0438\u0445 \u043d\u0430\u0434\u0435\u043b\u0438\u043b \u0433\u043e\u0441\u043f\u043e\u0434\u044c,
\n\u0414\u0432\u0435 \u043a\u0443\u0440\u0442\u0438\u0437\u0430\u043d\u043a\u0438 \u0431\u0435\u0441\u043a\u043e\u043d\u0435\u0447\u043d\u043e \u043e\u0434\u0438\u043d\u043e\u043a\u0438\u0445,
\n\u0427\u0442\u043e \u0432\u043e\u0437\u0432\u0440\u0430\u0449\u0430\u044e\u0442 \u0432 \u0436\u0438\u0437\u043d\u044c \u0438\u0437\u0437\u044f\u0431\u043d\u0443\u0432\u0448\u0443\u044e \u043f\u043b\u043e\u0442\u044c.<\/p>\n

Track 7<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 * bella perle \u2014 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u044b\u0439 \u0436\u0435\u043c\u0447\u0443\u0433<\/p>\n

\n
\n

Jacques Pr\u00e9vert<\/strong>
\n(1900 \u2014 1977)<\/h2>\n

\"\"Je suis n\u00e9e toute nue
\nJe vis comme je suis n\u00e9e
\nJe suis n\u00e9e toute petite
\nSi j\u2019ai grandi trop vite
\nJamais je n\u2019ai chang\u00e9
\nEt je vis toute nue
\nPour la plupart du temps
\nCe temps o\u00f9 je vis nue
\nCe temps c\u2019est de l\u2019argent<\/p>\n

\u042f \u0440\u043e\u0436\u0434\u0435\u043d\u0430 \u043d\u0430\u0433\u043e\u0439,
\n\u0418 \u044f \u0436\u0438\u0432\u0443 \u0442\u0430\u043a\u043e\u0439.
\n\u042f \u043a\u0440\u043e\u0448\u043a\u043e\u0439 \u0440\u043e\u0434\u0438\u043b\u0430\u0441\u044c,
\n\u0412\u0437\u0440\u043e\u0441\u043b\u0435\u043b\u0430 \u043d\u0435 \u0442\u0430\u044f\u0441\u044c.
\n\u0418 \u043d\u0435\u0438\u0437\u043c\u0435\u043d\u043d\u0430 \u044f,
\n\u041d\u043e \u043d\u0430\u0433\u043e\u0442\u0430 \u043c\u043e\u044f,
\n\u041f\u043e\u043a\u0430 \u044f \u0441 \u043d\u0435\u0439 \u0436\u0438\u0432\u0443,<\/p>\n

\u041b\u0438\u0448\u044c \u0434\u0435\u043d\u044c\u0433\u0438 \u0434\u043b\u044f \u043c\u0435\u043d\u044f.
\nTrack 8<\/a><\/p>\n

\n
\n

Guillaume Apollinaire<\/strong>
\n(1880 \u2014 1918)<\/h2>\n

\"\"<\/p>\n

 <\/p>\n

Bonjour Germaine Vous avez un beau jupon
\nUn beau jupon de reine et de reine cruelle
\nQue j\u2019en t\u00e2te la soie<\/p>\n

\u041f\u0440\u0438\u0432\u0435\u0442, \u0416\u0435\u0440\u043c\u0435\u043d\u0430. \u042e\u0431\u043a\u0430 \u043d\u0430 \u0442\u0435\u0431\u0435 \u2014
\n\u0416\u0435\u0441\u0442\u043e\u043a\u043e\u0439 \u043a\u043e\u0440\u043e\u043b\u0435\u0432\u044b \u043e\u0431\u043b\u0430\u0447\u0435\u043d\u044c\u0435,
\n\u041d\u043e \u0432\u0441\u0435 \u0436\u0435, \u0443\u0432\u0435\u0440\u044f\u044e, \u044f \u0431\u044b \u043c\u043e\u0433
\n\u041f\u043e\u0434 \u043d\u0435\u0439 \u043d\u0430\u0449\u0443\u043f\u0430\u0442\u044c \u0431\u044b\u0441\u0442\u0440\u043e \u0434\u0438\u0432\u043d\u044b\u0439 \u0448\u0435\u043b\u043a.<\/p>\n

 <\/p>\n

 <\/p>\n

Track 9<\/a><\/p>\n

\n

\"\"<\/p>\n

 <\/p>\n

Et les fleurs sans parfum sont v\u00eatues par pudeur
\nElles pr\u00e9voient qu\u2019on veut violer leur odeur
\nLa nudit\u00e9 du ciel est voil\u00e9e par des ailes
\nD\u2019oiseaux planant d\u2019attente \u00e9mue d\u2019amour et d\u2019heur<\/p>\n

\u0426\u0432\u0435\u0442\u044b \u0431\u0435\u0437 \u043f\u0430\u0440\u0444\u044e\u043c\u0435\u0440\u0438\u0438 \u0437\u0430\u0441\u0442\u0435\u043d\u0447\u0438\u0432\u043e-\u0441\u043a\u0440\u043e\u043c\u043d\u044b,
\n\u041e\u043d\u0438 \u043f\u0440\u0435\u0434\u0432\u0438\u0434\u044f\u0442, \u0447\u0442\u043e \u043d\u0430\u0440\u0443\u0448\u0438\u043c \u0438\u0445 \u0431\u043b\u0430\u0433\u043e\u0443\u0445\u0430\u043d\u044c\u0435 \u043c\u044b.
\n\u0412 \u0432\u0443\u0430\u043b\u0438 \u043f\u0442\u0438\u0447\u044c\u0438\u0445 \u043a\u0440\u044b\u043b \u043d\u0430\u0433\u0438\u0435 \u043d\u0435\u0431\u0435\u0441\u0430,
\n\u0418 \u0441\u0447\u0430\u0441\u0442\u044c\u0435, \u0438 \u043b\u044e\u0431\u043e\u0432\u044c, \u043a\u0430\u043a \u0432 \u0437\u0435\u0440\u043a\u0430\u043b\u0435, \u0432 \u0433\u043b\u0430\u0437\u0430\u0445.<\/p>\n

 <\/p>\n

Track 10<\/a><\/p>\n

\n
\n

Pablo Neruda<\/strong>
\n(1904 \u2013 1973)<\/h2>\n

\"\"<\/p>\n

 <\/p>\n

Sed de ti que me acosa en las noches hambrientas.
\nTr\u00e9mula mano roja que hasta su vida se alza.
\nEbria de sed, loca sed, sed de selva en sequ\u00eda.
\nSed de metal ardiendo, sed de ra\u00edces \u00e1vidas.<\/p>\n

\u0422\u0435\u0431\u044f \u044f \u0436\u0430\u0436\u0434\u0443 \u0441\u043a\u0443\u0434\u043d\u044b\u043c\u0438, \u0431\u0435\u0441\u0441\u043e\u043d\u043d\u044b\u043c\u0438 \u043d\u043e\u0447\u0430\u043c\u0438
\n\u0414\u0440\u043e\u0436\u0438\u0442 \u0440\u0430\u0437\u0433\u043e\u0440\u044f\u0447\u0435\u043d\u043d\u0430\u044f \u0440\u0443\u043a\u0430, \u0438 \u043d\u0435\u0441\u0442\u0435\u0440\u043f\u0438\u043c \u043d\u0430\u043a\u0430\u043b.
\n\u0422\u0430 \u0436\u0430\u0436\u0434\u0430, \u0447\u0442\u043e \u043a\u0430\u043a \u0434\u0436\u0443\u043d\u0433\u043b\u0438 \u0432 \u0437\u0430\u0441\u0443\u0445\u0443 \u043f\u044c\u044f\u043d\u0438\u0442 \u043e\u0442\u0447\u0430\u044f\u043d\u0438\u0435\u043c,
\n\u0422\u0430\u043a \u0436\u0430\u0436\u0434\u0443\u0442 \u0432\u043b\u0430\u0433\u0438 \u0432\u044b\u0441\u043e\u0445\u0448\u0438\u0435 \u043a\u043e\u0440\u043d\u0438,
\n\u041f\u0440\u043e\u0445\u043b\u0430\u0434\u044b \u0436\u0430\u0436\u0434\u0435\u0442 \u043e\u0431\u0436\u0438\u0433\u0430\u044e\u0449\u0438\u0439 \u043c\u0435\u0442\u0430\u043b\u043b.<\/p>\n

 <\/p>\n

Track 11<\/a><\/p>\n

\n

\"\"<\/p>\n

D\u00e9jame sueltas las manos
\ny el coraz\u00f3n, d\u00e9jame libre!
\nDeja que mis dedos corran
\npor los caminos de tu cuerpo.
\nLa pasi\u00f3n \u2014 sangre, fuego, besos \u2014
\nme incendia a llamaradas tr\u00e9mulas.
\nAy, t\u00fa no sabes lo que es esto!<\/p>\n

\u041f\u0440\u043e\u0448\u0443, \u0434\u0430\u0440\u0438 \u0441\u0432\u043e\u0431\u043e\u0434\u0443 \u0440\u0443\u043a\u0430\u043c \u043c\u043e\u0438\u043c
\n\u0418 \u0441\u0435\u0440\u0434\u0446\u0435 \u043e\u0441\u0432\u043e\u0431\u043e\u0434\u0438,
\n\u041d\u0435\u0442\u0435\u0440\u043f\u0435\u043b\u0438\u0432\u044b \u043f\u0430\u043b\u044c\u0446\u044b, \u0438 \u043f\u043b\u043e\u0442\u044c \u0445\u0440\u0430\u043d\u0438\u0442
\n\u0412 \u0441\u0435\u043a\u0440\u0435\u0442\u0435 \u0441\u0432\u043e\u0438 \u043f\u0443\u0442\u0438,
\n\u0418 \u043a\u0440\u043e\u0432\u044c, \u0438 \u0441\u0442\u0440\u0430\u0441\u0442\u044c, \u0438 \u043f\u0440\u043e\u0431\u043b\u0435\u0441\u043a \u043e\u0433\u043d\u044f \u0432 \u043d\u043e\u0447\u0438,
\n\u041d\u0438\u043a\u0442\u043e \u0443\u0436\u0435 \u043d\u0435 \u0441\u043f\u0430\u0441\u0435\u0442,
\n\u0414\u0430\u0432\u0430\u0439 \u0436\u0435 \u043c\u044b \u0442\u0435\u043f\u0435\u0440\u044c \u0432\u0434\u0432\u043e\u0435\u043c \u043f\u043e\u043c\u043e\u043b\u0447\u0438\u043c,
\n\u0412\u0435\u0434\u044c \u0442\u044b \u0443\u0436\u0435 \u0437\u043d\u0430\u0435\u0448\u044c \u0432\u0441\u0451.<\/p>\n

Track 12<\/a><\/p>\n

\n

\"\"<\/p>\n

Ni\u00f1a morena y \u00e1gil, el sol que hace las frutas,
\nel que cuaja los trigos, el que tuerce las algas,
\nhizo tu cuerpo alegre, tus luminosos ojos
\ny tu boca que tiene la sonrisa del agua.<\/p>\n

\u0414\u0435\u0432\u0447\u043e\u043d\u043a\u0430 \u0441\u043c\u0443\u0433\u043b\u0430\u044f \u0447\u0435\u0439 \u0442\u043e\u043d\u043a\u0438\u0439, \u0433\u0438\u0431\u043a\u0438\u0439 \u0441\u0442\u0430\u043d
\n\u0411\u044b\u043b \u0441\u043e\u0437\u0434\u0430\u043d \u0432 \u0434\u0435\u043d\u044c \u043f\u043e\u0433\u043e\u0436\u0438\u0439 \u044e\u0436\u043d\u044b\u043c \u0441\u043e\u043b\u043d\u0446\u0435\u043c
\n\u0422\u0435\u043c, \u0447\u0442\u043e \u043f\u043b\u043e\u0434\u044b \u0434\u0430\u0435\u0442 \u043d\u0430\u043c \u043d\u0435\u0443\u0441\u0442\u0430\u043d\u043d\u043e,
\n\u0410 \u0432\u043e\u0434\u043e\u0440\u043e\u0441\u043b\u0438 \u0441\u043a\u0440\u0443\u0447\u0438\u0432\u0430\u0435\u0442 \u0432 \u043a\u043e\u043b\u044c\u0446\u0430.
\n\u041e\u0442 \u0441\u043e\u043b\u043d\u0446\u0430 \u0436\u0438\u0437\u043d\u044c \u0442\u0435\u0431\u0435 \u0434\u0430\u043d\u0430 \u0441 \u0438\u0437\u0431\u044b\u0442\u043a\u043e\u043c,
\n\u0421\u0432\u0435\u0442 \u044f\u0441\u043d\u044b\u0445 \u0433\u043b\u0430\u0437, \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u044b\u0445 \u0432\u043e\u0434 \u0443\u043b\u044b\u0431\u043a\u0430.<\/p>\n

 <\/p>\n

Track 13<\/a><\/p>\n

\n
\n

Octavio Paz<\/strong>
\n(1914 \u2013 1998)<\/h2>\n

\"\"<\/p>\n

Mis manos
\nabren las cortinas de tu ser
\nte visten con otra desnudez
\ndescubren los cuerpos de tu cuerpo
\nMis manos
\ninventan otro cuerpo a tu cuerpo<\/p>\n

\u0421\u0432\u043e\u0435\u0439 \u0440\u0443\u043a\u043e\u0439 \u0442\u0432\u043e\u0435 \u043e\u0442\u043a\u0440\u043e\u044e \u0442\u0435\u043b\u043e,
\n\u0427\u0442\u043e\u0431 \u043d\u043e\u0432\u043e\u0439 \u043d\u0430\u0433\u043e\u0442\u043e\u0439 \u0442\u0435\u0431\u044f \u043e\u0434\u0435\u0442\u044c,
\n\u0418 \u0442\u043e \u0447\u0442\u043e \u0431\u044b\u043b\u043e, \u043d\u0430\u0447\u0438\u0441\u0442\u043e \u0441\u0442\u0435\u0440\u0435\u0442\u044c
\n\u0418 \u0432 \u0440\u0443\u043a\u0438 \u0432\u0437\u044f\u0442\u044c \u0443\u0436\u0435 \u0434\u0440\u0443\u0433\u0443\u044e \u043f\u043b\u043e\u0442\u044c,
\n\u041c\u043e\u0438\u0445 \u0438\u0441\u043a\u0430\u043d\u0438\u0439 \u0441\u043b\u0430\u0434\u043e\u0441\u0442\u0440\u0430\u0441\u0442\u043d\u044b\u0439 \u043f\u043b\u043e\u0434.<\/p>\n

Track 14<\/a><\/p>\n

\n
\n

Juan Ram\u00f3n Jim\u00e9nez Mantec\u00f3n<\/strong>
\n(1881 \u2013 1958)<\/h2>\n

\"\"<\/p>\n

Tu sexo negro, suave como un plum\u00f3n de p\u00e1jaro,
\nentre las sedas blancas, amarillas y malvas
\nera como un faro de sombra para mis ojos
\nen un revuelto mar de tibias olas p\u00e1lidas.
\nUn aroma sutil como de islas ex\u00f3ticas
\nen la tibieza suave de tus muslos flotaba.<\/p>\n

\u0422\u0432\u043e\u0435 \u043d\u0430\u0447\u0430\u043b\u043e \u0436\u0435\u043d\u0441\u043a\u043e\u0435 \u0442\u0435\u043c\u043d\u043e,
\n\u041b\u0435\u0433\u043a\u043e \u043a\u0430\u043a \u043f\u0442\u0438\u0447\u044c\u0435 \u043f\u0435\u0440\u044b\u0448\u043a\u043e \u043e\u043d\u043e.
\n\u0412 \u0433\u043b\u0443\u0431\u0438\u043d\u0430\u0445 \u0440\u0430\u0437\u043d\u043e\u0446\u0432\u0435\u0442\u0438\u044f \u0448\u0435\u043b\u043a\u043e\u0432
\n\u0414\u043b\u044f \u0433\u043b\u0430\u0437 \u043c\u043e\u0438\u0445 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u043d\u0435\u0442 \u043c\u0430\u044f\u043a\u043e\u043c.
\n\u042f \u0434\u0438\u0432\u043d\u044b\u0439 \u0430\u0440\u043e\u043c\u0430\u0442 \u0432\u0434\u044b\u0445\u0430\u044e \u0437\u0434\u0435\u0441\u044c
\n\u0412 \u0442\u043e\u043d\u0447\u0430\u0439\u0448\u0435\u0439 \u043d\u0435\u0436\u043d\u043e\u0441\u0442\u0438 \u0442\u0432\u043e\u0438\u0445 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u044b\u0445 \u0447\u0440\u0435\u0441\u043b.<\/p>\n

Track 15<\/a><\/p>\n

\n
\n

Carlos Drummond de Andrade<\/strong>
\n(1902 \u2013 1987)<\/h2>\n

\"\"<\/p>\n

 <\/p>\n

Pelos que fascinavam n\u00e3o perturbam.
\nSeios, n\u00e1degas (t\u00e1cito armist\u00edcio)
\nrepousam de guerra. Tamb\u00e9m eu repouso.<\/p>\n

\u041d\u0435 \u043f\u043e\u0442\u0440\u0435\u0432\u043e\u0436\u0430\u0442 \u0442\u0435, \u0447\u0442\u043e \u0432\u043e\u0441\u0445\u0438\u0449\u0430\u043b\u0438
\n\u041c\u0435\u043d\u044f \u0432 \u043d\u0430\u0447\u0430\u043b\u0435
\n\u041e\u043a\u0440\u0443\u0433\u043b\u043e\u0441\u0442\u0438 \u0442\u0432\u043e\u0438 \u043b\u0435\u0436\u0430\u0442 \u0432 \u043f\u043e\u043a\u043e\u0435.
\n\u0412\u043e\u0439\u043d\u0435 \u043a\u043e\u043d\u0435\u0446.
\n\u041f\u043e\u0441\u043f\u043b\u044e \u043d\u0430 \u0431\u0440\u0430\u043d\u043d\u043e\u043c \u043f\u043e\u043b\u0435.<\/p>\n

 <\/p>\n

Track 16<\/a><\/p>\n

\n

\"\"<\/p>\n

 <\/p>\n

A bunda, que engra\u00e7ada.
\nEst\u00e1 sempre sorrindo, nunca \u00e9 tr\u00e1gica.
\nN\u00e3o lhe importa o que vai pela frente do corpo.
\nA bunda basta-se.<\/p>\n

\u0410\u0445, \u043f\u043e\u043f\u043a\u0430 \u0447\u0442\u043e \u0437\u0430 \u043f\u0440\u0435\u043b\u0435\u0441\u0442\u044c, \u043f\u0440\u0430\u0432\u043e.
\n\u0412\u0441\u0435\u0433\u0434\u0430 \u0441 \u0443\u043b\u044b\u0431\u043a\u043e\u044e, \u0435\u0439 \u043b\u0438\u0448\u043d\u0438\u0439 \u0447\u0443\u0436\u0434 \u0442\u0440\u0430\u0433\u0438\u0437\u043c,
\n\u0422\u043e \u0441\u043f\u0435\u0440\u0435\u0434\u0438 \u2014 \u0438\u0437\u043b\u0438\u0448\u043d\u044f\u044f \u0437\u0430\u0431\u0430\u0432\u0430,
\n\u0414\u043e\u0441\u0442\u0430\u0442\u043e\u0447\u043d\u043e \u0438 \u043f\u043e\u043f\u043a\u0438. \u041f\u043e\u043f\u043a\u0430 \u2014 \u0436\u0438\u0437\u043d\u044c!<\/p>\n

 <\/p>\n

Track 17<\/a><\/p>\n

\n

\"\"<\/p>\n

Mulher andando nua pela casa
\nEnvolve a gente de tamanha paz.
\nN\u00e3o \u00e9 nudez datada, provocante.
\n\u00c9 um andar vestida d nudez,
\nInoc\u00eancia de irm\u00e3 e copo d\u2019\u00e1gua.<\/p>\n

\u041d\u0430\u0433\u0430\u044f \u0436\u0435\u043d\u0449\u0438\u043d\u0430. \u041a\u0430\u043a \u0438\u0437 \u0434\u0440\u0443\u0433\u043e\u0433\u043e \u043c\u0438\u0440\u0430
\n\u041e\u043d\u0430 \u043d\u0435\u0432\u0438\u043d\u043d\u0430, \u0441\u043b\u043e\u0432\u043d\u043e \u0434\u043e\u043c \u043f\u0443\u0441\u0442\u043e\u0439.
\n\u0422\u0430\u043a \u043d\u0435\u043f\u0440\u0435\u0434\u0432\u0437\u044f\u0442\u0430 \u0434\u0435\u0440\u0437\u043a\u043e\u0439 \u043d\u043e\u0433\u043e\u0442\u043e\u044e
\n\u041a\u0430\u043a, \u0447\u0430\u0448\u0430, \u043f\u043e\u0434\u043d\u0435\u0441\u0435\u043d\u043d\u0430\u044f \u0441\u0435\u0441\u0442\u0440\u043e\u0439.<\/p>\n

* birichina \u2014 \u043d\u0435\u043f\u043e\u0441\u043b\u0443\u0448\u043d\u044b\u0439<\/p>\n

Track 18<\/a><\/p>\n

\n
\n

Gabriele D\u2019Annunzio<\/strong>
\n(1863 \u2013 1938)<\/h2>\n

\"\"<\/p>\n

 <\/p>\n

Quando prona, col ventre ne l\u2019arena,
\nnuda si lascia al conquistare lento
\nde le maree, non dunque a luna piena
\nella \u00e8 una grande statua di argento?<\/p>\n

\u0420\u0430\u0441\u043a\u0438\u043d\u0443\u0432\u0448\u0438\u0441\u044c \u0438 \u043b\u043e\u043d\u043e \u043e\u0431\u043d\u0430\u0436\u0438\u0432
\n\u0412 \u0441\u0435\u0431\u044f \u0432\u043f\u0443\u0441\u043a\u0430\u0435\u0442 \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u044b\u0439 \u043f\u0440\u0438\u043b\u0438\u0432
\n\u0418 \u043c\u043e\u0436\u0435\u0442 \u0431\u044b\u0442\u044c \u0443\u0436\u0435 \u043f\u0440\u0438\u0448\u043b\u0430 \u043f\u043e\u0440\u0430
\n\u041b\u0443\u043d\u0435 \u0435\u0435 \u043e\u0442\u043b\u0438\u0442\u044c \u0438\u0437 \u0441\u0435\u0440\u0435\u0431\u0440\u0430?<\/p>\n

Track 19<\/a><\/p>\n

\n

\"\"<\/p>\n

Vorrei essere davvero una formica
\nper entrare quatto quatto in quel corbello:
\nsapete, non m\u2019importerebbe mica
\ndi restar preso nel cresputo vello<\/p>\n

\u0410\u0445, \u0435\u0441\u043b\u0438 \u043c\u043e\u0433 \u0431\u044b \u0441\u0442\u0430\u0442\u044c \u044f \u043c\u0443\u0440\u0430\u0432\u044c\u0435\u043c
\n\u0427\u0442\u043e\u0431\u044b \u0432\u043f\u043e\u043b\u0437\u0442\u0438 \u0432 \u0437\u0430\u0432\u0435\u0442\u043d\u044b\u0439 \u0443\u0433\u043e\u043b\u043e\u043a
\n\u0418 \u043f\u0443\u0441\u0442\u044c \u0431\u044b \u0442\u0430\u043c \u0438 \u0443\u043c\u0435\u0440 \u043e\u0434\u0438\u043d\u043e\u043a
\n\u0412 \u043f\u043b\u0435\u043d\u0443 \u0432\u043e\u043b\u043e\u0441 \u043c\u0435\u0436 \u0441\u0442\u0440\u043e\u0439\u043d\u044b\u0445 \u043d\u043e\u0433 \u0435\u0435.<\/p>\n

Track 20<\/a><\/p>\n

\n
\n

Jacques Pr\u00e9vert<\/strong>
\n(1900 \u2013 1977)<\/h2>\n

\"\"<\/p>\n

M\u2019ha fatta l\u2019amore
\nl\u2019amore che mi ha fatto festa
\nl\u2019amore che mi ha fatto fata
\ndov\u2019\u00e8 mai andato a cacciarsi
\nl\u2019innamorato che avevo<\/p>\n

\u0427\u0442\u043e \u0441\u0434\u0435\u043b\u0430\u043b\u0430 \u0442\u0432\u043e\u044f \u043b\u044e\u0431\u043e\u0432\u044c?
\n\u041e\u0431\u043c\u0430\u043d\u043e\u043c \u0437\u0430\u043c\u0430\u043d\u0438\u043b\u0430 \u0432 \u0437\u0430\u043f\u0430\u0434\u043d\u044e
\n\u041e\u043a\u043e\u043b\u0434\u043e\u0432\u0430\u043b\u0430, \u0443\u043d\u0435\u0441\u043b\u0430 \u043f\u043e\u043a\u043e\u0439
\n\u0418 \u0433\u0434\u0435 \u0436\u0435 \u0442\u043e\u0442, \u0447\u0442\u043e \u0431\u044b\u043b \u0432\u0447\u0435\u0440\u0430 \u0441\u043e \u043c\u043d\u043e\u0439?<\/p>\n

Track 21<\/a><\/p>\n

\n

\"\"<\/p>\n

Nuda son nata
\ncome son nata vivo
\npiccola son nata
\ne troppo in fretta cresciuta
\nma non son mai cambiata
\ne nuda vivo
\nla maggior parte del tempo
\nquel tempo dove vivo
\nnuda quel tempo \u00e8 denaro.<\/p>\n

\u042f \u0440\u043e\u0436\u0434\u0435\u043d\u0430 \u043d\u0430\u0433\u043e\u0439,
\n\u0418 \u044f \u0436\u0438\u0432\u0443 \u0442\u0430\u043a\u043e\u0439,
\n\u042f \u043a\u0440\u043e\u0448\u043a\u043e\u0439 \u0440\u043e\u0434\u0438\u043b\u0430\u0441\u044c,
\n\u0412\u0437\u0440\u043e\u0441\u043b\u0435\u043b\u0430 \u043d\u0435 \u0442\u0430\u044f\u0441\u044c,
\n\u0418 \u043d\u0435\u0438\u0437\u043c\u0435\u043d\u043d\u0430 \u044f
\n\u041d\u043e \u043d\u0430\u0433\u043e\u0442\u0430 \u043c\u043e\u044f,
\n\u041f\u043e\u043a\u0430 \u044f \u0441 \u043d\u0435\u0439 \u0436\u0438\u0432\u0443 \u2014
\n\u041b\u0438\u0448\u044c \u0434\u0435\u043d\u044c\u0433\u0438 \u0434\u043b\u044f \u043c\u0435\u043d\u044f.<\/p>\n

* Nel fiordi no delle tue delizie \u2014 \u0412\u043e \u0444\u044c\u043e\u0440\u0434\u0430\u0445 \u0432\u0430\u0448\u0438\u0445 \u043f\u0440\u0435\u043b\u0435\u0441\u0442\u0435\u0439<\/p>\n

Track 22<\/a><\/p>\n

\n
\n

Guillaume Apollinaire<\/strong>
\n(1880 \u2013 1918)<\/h2>\n

\"\"<\/p>\n

Germaine Avete una bella sottoveste
\nUna bella sottoveste di regina e di regina crudele
\nFatemi toccare la seta Una seta del Giappone
\nCon un largo volant di merletto antico<\/p>\n

\u041f\u0440\u0438\u0432\u0435\u0442, \u0416\u0435\u0440\u043c\u0435\u043d\u0430. \u042e\u0431\u043a\u0430 \u043d\u0430 \u0442\u0435\u0431\u0435 \u2014
\n\u0416\u0435\u0441\u0442\u043e\u043a\u043e\u0439 \u043a\u043e\u0440\u043e\u043b\u0435\u0432\u044b \u043e\u0431\u043b\u0430\u0447\u0435\u043d\u044c\u0435.
\n\u042f \u043d\u0430 \u0442\u0435\u0431\u044f \u0441\u043c\u043e\u0442\u0440\u044e, \u0438 \u0432\u0441\u0435, \u0447\u0442\u043e \u043d\u0443\u0436\u043d\u043e
\n\u041f\u043e\u0442\u0440\u043e\u0433\u0430\u0442\u044c \u043c\u044f\u0433\u043a\u0438\u0439 \u0448\u0435\u043b\u043a \u0432 \u043e\u0431\u043e\u0440\u043a\u0435 \u0434\u0438\u0432\u043d\u044b\u0445 \u043a\u0440\u0443\u0436\u0435\u0432.<\/p>\n

Track 26<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 * La nudit\u00e0 dei fiori \u00e8 il loro odore carnale \u2014 \u0418 \u0432 \u043d\u0430\u0433\u043e\u0442\u0435 \u0446\u0432\u0435\u0442\u043e\u0432 \u0438\u0445 \u043f\u043b\u043e\u0442\u0441\u043a\u0438\u0439 \u0430\u0440\u043e\u043c\u0430\u0442<\/p>\n

\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

Machine! le figlie senza madre dell nomo<\/p>\n

\u041c\u0430\u0448\u0438\u043d\u0430! \u0414\u043e\u0447\u044c, \u043b\u0438\u0448\u0435\u043d\u043d\u0430\u044f \u0447\u0435\u043b\u043e\u0432\u0435\u0447\u0435\u0441\u043a\u043e\u0439 \u043c\u0430\u0442\u0435\u0440\u0438!<\/p>\n

 <\/p>\n

 <\/p>\n

Track 27<\/a><\/p>\n

\n
\n

\"\"<\/p>\n

 <\/p>\n

Venere Callipige in una oscene posa. Scopliti ne\u2019l tono leggiamento
\nde\u2019 l ombi stan due solchi: ampia la schiena piegaci an un profondo
\nincavamento<\/p>\n

\u0412\u0435\u043d\u0435\u0440\u0430 \u041a\u0430\u043b\u043b\u0438\u043f\u0438\u0433\u0430 \u0432 \u043d\u0435\u043f\u0440\u0438\u0441\u0442\u043e\u0439\u043d\u043e\u0439 \u043f\u043e\u0437\u0435. \u0421\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u043d\u043e-\u043e\u043a\u0440\u0443\u0433\u043b\u044b\u0435
\n\u0431\u0451\u0434\u0440\u0430, \u0442\u0435\u043b\u043e \u0438\u0437\u043e\u0433\u043d\u0443\u0442\u043e \u0433\u043b\u0443\u0431\u043e\u043a\u043e \u043d\u0430\u0437\u0430\u0434 \u0438 \u0432\u043d\u0443\u0442\u0440\u044c \u0444\u043e\u043d\u0430.<\/p>\n

 <\/p>\n

Track 23<\/a><\/p>\n

\n
\n

Madeleine Delbr\u00eal<\/strong>
\n(1904 \u2013 1964)<\/h2>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

Quando non puoi danzare tu, fai danzare la tua anima.<\/p>\n

\u041a\u043e\u0433\u0434\u0430 \u043d\u0435 \u043c\u043e\u0436\u0435\u0448\u044c \u0442\u0430\u043d\u0446\u0435\u0432\u0430\u0442\u044c \u0441\u0430\u043c, \u0437\u0430\u0441\u0442\u0430\u0432\u044c \u0442\u0430\u043d\u0446\u0435\u0432\u0430\u0442\u044c \u0442\u0432\u043e\u044e \u0434\u0443\u0448\u0443.<\/p>\n

 <\/p>\n

 <\/p>\n

Track 24<\/a><\/p>\n

\n
\n

Dante Alighieri<\/strong>
\n(1265 \u2013 1321)<\/h2>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

Tre donne in giro, dalla destra rota, venian danzando.<\/p>\n

\u0422\u0440\u0438 \u0436\u0435\u043d\u0449\u0438\u043d\u044b \u0438\u0434\u0443\u0442 \u043d\u0430\u043f\u0440\u0430\u0432\u043e \u043f\u043e \u043a\u0440\u0443\u0433\u0443 \u0432 \u0432\u0435\u043d\u0435\u0440\u0438\u0430\u043d\u0441\u043a\u043e\u043c \u0442\u0430\u043d\u0446\u0435.<\/p>\n

Track 25<\/a><\/p>","protected":false},"excerpt":{"rendered":"

April 25 was opened the scandalous and provocative exhibition “\u041a\u043e\u043c\u043d\u0430\u0442\u044b\/Rooms”. \u201cRooms\u201d are three levels of knowledge of a woman. It is an attempt to penetrate into its essence and collect the most complete image of her corporeality. The exhibition space will be divided into three zones, access to each indicating a degree of affinity with […]<\/p>\n","protected":false},"author":1,"featured_media":1373,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"\nApril 25 opening of the exhibition "\u041a\u043e\u043c\u043d\u0430\u0442\u044b\/Rooms" in the Central House of Artists - BIS ART GALLERY<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.bisartgallery.art\/otkrytie-vystavki-komnatyrooms-25-aprelya-v-cdx\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"April 25 opening of the exhibition "\u041a\u043e\u043c\u043d\u0430\u0442\u044b\/Rooms" in the Central House of Artists - BIS ART GALLERY\" \/>\n<meta property=\"og:description\" content=\"April 25 was opened the scandalous and provocative exhibition “\u041a\u043e\u043c\u043d\u0430\u0442\u044b\/Rooms”. \u201cRooms\u201d are three levels of knowledge of a woman. 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